Friday, January 28, 2011

走在铁路旁

衔接新马的铁路穿梭着百年记忆。1903年登路(Tank Road)-兀兰(Woodlands)铁路通车,1923年长堤落成,铁路衔接登路与槟城,开创新马交通新纪元。

(Tank Road 火车总站,River Valley Road 背景, c.1903)

(Tank Road 火车总站, c.1910)

1932年FMSR以靠近海港(Keppel Harbour)的新落成的丹戎百葛火车站(Tanjong Pagar)取代穿梭于市区的登路火车总站,火车旅馆设在火车站内,就像怀旧影片中的情节一样。原建的从登路转换站到武吉知马的火车道在七年后拆除。

http://navalants.blogspot.com/2010/11/blog-post.html

至于大马境内的铁轨岁月则更悠久了:

1885: Taiping- Port Weld
1886: Kuala Lumpur - Klang
1891: Seremban - Port Dickson
1893:Teluk Anson - Tapah Road
1909:Prai (Penang state)- Johor Bahru
1931: Tumpat - Gemas

(马来亚小镇,c.1910)

丹戎巴葛火车站的正门有四尊大理石人物雕像,他们手握着不同的工具,代表着农业,商业,运输业和工业,这些行业都是早年马来亚的经济支柱。四尊大理石雕像性格鲜明,直接表达马来亚铁路的存在意义就是为了更好地运输工农业产品,为马来亚人民提供更多商业活动和就业机会。

http://nmsmandarindocents.wordpress.com/2010/09/27/丹戎巴葛火车站/


(Tanjong Pagar Railway Station, 2010)

2003年10月16日,外交部长贾古玛(Professor S Jayakumar)向国会解释丹戎巴葛总站乔迁事件:

The POA (Points of Agreement)is a Government-to-Government agreement between Malaysia and Singapore concerning railway lands in Singapore. It was signed on 27 November 1990 between then Prime Minister Lee Kuan Yew on behalf of Singapore and then Minister of Finance Tun Daim Zainuddin on behalf of Malaysia. Under the POA, the KTM railway station would be vacated and moved from Tanjong Pagar to Bukit Timah in the first instance. The land at Tanjong Pagar would then be vested in a limited company for joint development (60% for Malaysia and 40% for Singapore). All railway lands south of Bukit Timah other than Tanjong Pagar would revert to Singapore. When the MRT station reached Woodlands, and that took place on 10 February 1996, KTM may within five years, move its station from Bukit Timah to a site in Woodlands adjacent or close to the Woodlands MRT station. In that event, two additional pieces of land in Kranji and Woodlands would be vested in the limited company also for joint development. All other railway lands south of Woodlands other than Tanjong Pagar, Woodlands and Kranji sites would revert to Singapore. ....

后来新马双方就POA的实行日期与当时的马国首相马哈迪推翻新马谈判配套而陷入低谷。丹戎巴葛火车总站先迁移到Bukit Timah (Blackmore Drive) 和Woodlands 的计划并没有落实。其中个人成见似乎超过律法。

(Bukit Timah 火车站,c.1905)

(Bukit Timah 火车站,2011)

新领导人新作风,李显龙和纳吉的班子把历史包袱放在铁路旁,并同意若有无法协商之处,通过国际仲裁庭解决,避免伤了双方的和气。新马双方都为了2011年8月的乔迁之喜下足拼劲,势在必得。

1.1.11,我们延续2010年9月10日乘火车过长堤的心情,走一趟火车道(Railway Mall - Bukit Timah Railway Station),以另一类方式迎接新的一年。

(Railway Mall旁,2011)

(跨越Bukit Timah Road的铁桥)


(Bukit Timah Raliway Station的轨道转驳器,2011)

KTM铁路让我在十六岁青涩的一刻在社会染缸认识一群联邦工友,轰隆隆声中带来也送走了联邦同学。在Gombak Hill工作的时期,碰到火车时间,管理员关上闸门,车子停放在闸门前,形成一条车龙。火车走过,闸门重新开放,车子越过共用的铁轨,是铁路的风情画。

铁路穿过时空,铁路走过的Bukit Timah已从早年的工业区如以绿宝汽水挂帅的 Amoy Canning Factory都已发展成公寓,提供两万民宅给中上阶层,就只剩铁轨两旁还保留着盎盎绿意。

http://navalants.blogspot.com/2010/12/blog-post_31.html

(Upper Bukit Timah Road 的绿宝汽水厂,c.1960s)

绿草悠悠,铁轨没有尽头,望着远方朦胧处,油然忆起2000年代初的爱情电影,巩俐、梁家辉、孙红雷等主演的《周渔的火车》。电影的开头,就是这么一道铁路弯弯。

(Bukit Timah Hill 旁,2011)

一列火车上,满是人,很多为生计或者为别的什么奔忙的人。其中,有一个女人叫周渔。她的奔忙先是为了一个男人,然后是两个,最后,是为了她自己。这便是《周渔的火车》要讲述的爱情故事。

周渔的爱情就在那列车上,承载着她的矛盾、欲望和对爱的幻想。经过大大小小的车站,卸下一些,又装上一些,但她始终是运动着的,充满活力,火车是周渔成长的地方。

周渔在小镇上从事陶艺工作,在一个舞会上遇上诗人陈清后,对他的眷恋油然而生。陈清在另一镇上做图书管理员,生活清贫,爱情的力量让周渔甘心劳苦,来往于两地。慢慢的,她变得有点疲倦。

火车上周渔遇见兽医张强,张强为周渔的气质所打动,二人由起初的争拗变为理解。张强总是在周渔失落烦恼之时为她解忧,帮她找寻陈清诗中所写的仙湖,感情在暗涌。周渔也在两地、两个男人之间矛盾地徘徊。在张强身上,她感受到强烈的男子气魄和欲望,然而却也离不开孱弱的陈清。

周漁身边的人,甚至陈清,都说她这样赶火车太累也太傻,她总说不觉得累,她很喜欢穿梭两地的感觉。可是时间久了,她动摇了。

陈清离开小镇,到西藏去当小学老师,周漁还是继续赶火车到初恋的小镇,去陈清搬离的破屋,回忆他们的过往。

最后一次周漁沒有赶上火车,改搭汽车,在路上出了意外,汽车翻入河里淹死了。

不知道周渔的火车的终点在哪里,只能跟随她,跟随那列火车。也许我们永远不能真正体会她,但却真实地看到了她的成长,令人感动。

周渔的火车是否出现过?仙湖是梦境还是真实? 火车是不是让心灵歇息的地方?周渔是否得到最后的解脱?

突然间发觉我们每个人的心中有意识无意识间都跟随着某一趟列车,轧轧前进,有如周渔的火车。心里有就有,心里是就是。心里没有才真的没有,全都一场空了。

Friday, January 21, 2011

Who would you see in year 2046?

During a dialogue session with SM Goh in NTU on 29 october 2010, 23-year-old MAE final year student Lim Zi Rui asked if the Minister was aware that many young people no longer felt a sense of ownership in Singapore.

“When I was younger, I was very proud of being a Singaporean,” said Lim as reported in The Straits Times.

“But that was about five, ten years ago. Five years later, with all the changes in policies and the influx of foreign talent, I really don’t know what I’m defending any more.”
He said this was a view that many of the men he served with during National Service also held.

While Lim's view is representative enough among the younger Singaporeans remains a question mark, foreign workers and their impact on the heart landers have triggered some debates in Singapore. It would probably be politicised and become a hot topic for another general election to be held before February 2012.

Not sure if you had seen the film '2046'. It was a Hong Kong production played by Liang Chao Wei (梁朝伟)and Maggie Zhang(张曼玉). 2046 is a year of the future, it is also a room number. For those people who went to 2046, their wishes were quite simple. They wanted to find memories. They wanted to search for eternity.

http://navalants.blogspot.com/2009/05/2046.html

By 2046, would the city that we so used to live in today still be familiar to us again?

I grew up from a community made up of Chinese, Malay and Indian, and a small group of other origins such as Arab and Eurasian. My primary school days spanned between 1968 and 1973 which provided me a refreshing exposure to foreign talents. In P2, P5 and P6, a Hong Konger, a Vietnamese and a Cambodian joined my class, respectively.

While foreign students studying in neighbourhood schools are common nowadays, it was considered rare at that time. The Hong Konger wrote very beautiful Chinese calligraphy at the age of nine while I was still struggling to pick up this piece of traditional art. The Vietnamese was multi-talented in academic and sport, and the Cambodian was extremely hard working in his study. Within 8 months, he passed the PSLE and together, we went to the affiliated secondary school.

(Only the Vietnamese appeared in this class graduation photo. 1973.)

In that era, Malaysian made up of the majority of the 100,000 foreign workforce. They travelled across the causeway and contributed to the development of the newly industrialised nation. Many of them stayed in Singapore for years, some subscribed to PR and citizenship, some preferred to follow the traditional Chinese route, as falling leaves shall return to their own roots (落叶归根). Apart from Malaysia, India remained as a steady manpower supply source. Together with the smaller population who came from Bangladesh, Sri Lanka and Thailand, they built a contemporary city called Singapore.

In the 1980s, it was estimated that the nation's ideal population should be between 4.5 and 5 million. The aggressive internet technology defined a new world economy in the early 2000s. It had transcended the traditional boundaries and generated a group of international citizens. Knowledge workers were prepared to move out from their native roots in order to reap new opportunities. This unprecedented trend had led our planners to make a bolder estimate in 2006 for a long-term population of 6.5 million. Of those 6.5 million population, easily a third or more will be people who were born and socialised elsewhere.

This demography shift has sparked more changes among the resident community. The percentage of Chinese and Malay are dropping while Indian and other groups are growing. Singapore also accepted large numbers of newcomers whose socialisation did not include national experiences such as national service and the education system.

(Change of Singapore population 1990-2009)

With each passing year, the percentage of people who are citizens continues to decline as the new residents outnumber the birth of citizens by more than 2:1. By 2009 even the Malay community had dropped below its replacement level, with the overall figure at 1.22 children per family for the entire society.

In 2009, about 40% of the population in Singapore are foreigners who work and study here. Foreign workers make up 50% of the service sector. As more and different foreigners are absorbed into the population, Singapore's present multiracial model will be affected by these new groups and their new interests. For example, the new Indian and Chinese immigrants are not quite assimilating with the respective citizen groups and the conventional clans. They are creating new social communities.

In some ways such immigrations are a return to Singapore's roots. Singapore has a long history of immigration. The immigrant work ethic, willingness to take risks and adaptability are the key attributes to inspire the economy and society.

How about rewinding the time machine by 60 years to take a look at the “traditional demography” of Singapore population in 1950:

(Singapore population 1950)

Friday, January 14, 2011

"Bersanding" at HDB void deck

I witnessed another joyous Malay wedding near my house.

The Malay wedding is known as Bersanding, which means the sitting together of the bride and bridegroom. According to the customs, both the bride and the groom are treated as king and queen for the Bersanding day.

Although the Malay community in Singapore lives in a contemporary city, weddings still remain big, community affairs. This dates back from the kampung days when all the neighbours and relatives pitched in to help with the preparations and celebrations. Relatives from Malaysia, and sometimes Indonesia, also made the trip over to spend a few days with their relatives on the island.

In the old kampung days, tents were set up in the front yard for the wedding celebrations. Today, to accommodate the number of guests, the spacious void deck is utilized as the wedding venue.

(Oil painting - Old kampung days, c.1960s)

Usually, the reception is held for 2 days. Dinner on Saturday nights and the main reception on Sunday afternoon stretch into the evening. Dinners are usually for close relative and friends to attend. Singapore Malay weddings are usually long afternoon lunches that stretch into the night. No set timing for the arrival or departure of guests. Friends and relatives come to greet the couples and enjoy the warm welcome, fabulous food, music and dance.

The arrival of the bride and groom is accompanied by a “kompang” troupe. They play the traditional Malay hand drum according to a distinctive rhythm and usually accompanied by songs praising God and Prophet Muhammad to shower blessings for the married couple. The groom is led by dancers to greet his bride. Malay martial arts “Silat” is played in front of the couple as it is believed that this would ensure that the “spirits” would show respect and would not disturb the couple throughout the day.

(Kompang troupe, 2010)

(Silat in front of the couple, 2010)

(Received blessing from the elderly, 2010)

There’s more to the Malay wedding than just the bersanding, which is really the height of the celebration. 3 days before the bersanding, the bride would take part in a henna-staining ceremony, where the couple’s fingertips would be stained yellow by henna oil to symbolise their upcoming nuptials. The day before, the couple would have a nikah ceremony to solemnise and legalise the marriage under Islamic and civil law.

Bersanding at HDB void deck is an unique Singapore feature. Since the inception of HDB in 1960 and introduced the void deck design for HDB flats since 1970, the HDB void deck has taken on a life that goes far beyond what was originally intended. Originally designed as a common space for social activities and shelter, void decks have since been used as valuable external social space for residence to meet, talk and possibly gossip.

(Typical Bersanding's setting at void deck)

HDB void deck is a place that we pass through, a space that we sit and wait, an external area where we meet people for a brief chat. It contains most of our daily activities. Interestingly, it is also a symbol of the 'circle of life'. The same void deck could be dolled up overnight for a happy Malay wedding and covered up the next day for a sad Chinese funeral. In between, it has also played host to teenage boys practising street soccer, and the odd toddler trying out his new tricycle.

It reminded me about Varanasi city on the Ganges River, a melting pot where people live, play and conduct their funeral rites by the same river.

Friday, January 07, 2011

Go Dutch

大国崛起,各领风骚数百年。英国在海洋舰队掩护下,主导世界经济两个世纪(18与19世纪)。日不落帝国在20世纪走下坡,把强国的霸主地位拱手让给美国。21世纪2010年一场圣诞风雪,再度使Heathrow Airport瘫痪下来;2000年代末一场金融风暴,使英国从净债权国摇身成为负债国,完美的帝国神话走向现实。

英国海军舰队从战后1960年的9艘航空母舰,145艘战舰和48艘潜艇逐年递减,1990年代初冷战结束,我在UCL学战舰设计,教授群十分自豪地为我们这群国际学生介绍4艘航空母舰,49艘战舰和31艘潜艇的设计风格与作战性能。其中Invincible这艘航空母舰1982年建成便立刻投入Falkland War,千里迢迢去到南美洲,与阿根廷为争取Falkland 这个小岛的主权开战。

2000年代在一个会议上,在场的英国专家说小岛国的海军实力与当时拥有2艘航空母舰,24艘战舰和12艘潜艇的英军相比之下不遑多让,此言或许言过其实,但言谈中确实多了几分谦逊,少了当年的霸气。

15世纪末的地理大发现,给欧洲带来了前所未有的商业繁荣,也为荷兰人提供了成就商业帝国的历史性机遇。通过海洋发迹的国家除了英国之外,葡萄牙和西班牙都是15与16世纪的佼佼者。荷兰面向北海(North Sea),内靠欧洲大陆,欧洲主要水道莱茵河(Rhine River)经鹿特丹(Rotterdam)入海,活水带来生命力,于是荷兰挖掘了许多运河,发展成当时欧洲最发达的水上交通网。

荷兰紧随葡萄牙开拓(还是强夺?)东印度的岛屿,开辟了荷兰与印度的海事贸易航线,并于1602年组建了荷兰东印度公司(Dutch East India Company),分别在鹿特丹(Rotterdam)和阿姆斯特丹(Amsterdam)设立造船厂,制造商船,崛起成为17世纪的主宰。在1602至1796年约两百年间,荷兰东印度公司拥有4785艘商船,在亚洲运载250万吨货物到欧洲,其中最大的收入来自香料。

(荷兰东印度公司(Dutch East India Company)版图)

相比之下,英国东印度公司拥有2690艘商船,总贸易量约为荷兰的五分之一。

在东亚,荷兰占据了台湾,直至郑成功收复宝岛(1624-1664),荷兰也垄断日本的对外贸易;在东南亚,荷兰把印度尼西亚变成了自己的殖民地;在非洲,荷兰从葡萄牙人手中夺取了好望角;在大洋洲,荷兰用国内一个省的名字命名了一个国家叫新西兰;在南美洲,荷兰占领了巴西北部;在北美大陆,荷兰建立了新阿姆斯特丹城(New Amsterdam City),这个城市发展为今天的纽约市。

(郑成功收复台湾)

由当年的荷兰在国际上的影响力看来,我们喝的荷兰水(汽水),玩得荷兰牌(扑克牌),吃的荷兰豆(豌豆)与荷兰薯(马铃薯),很有可能都是由荷兰人引进台湾,后来这些荷兰名堂越过台湾海峡传入中国南方,再经过早年的移民带到南洋。

http://navalants.blogspot.com/2010/12/blog-post_31.html

此外,朋友聚餐,为了维护男女平等(真的吗?),我们不也去荷兰吗(On Dutch)?

(荷兰豆与荷兰薯)

据中山大学历史系教授周湘考证,荷兰豆传入中国,先在台湾登陆。乾隆初年的《台湾府志》中记载:“荷兰豆,种出荷兰,可充蔬品煮食,其色新绿,其味香嫩。”不久之后,这种蔬菜便传入广东。

嘉庆年间,广东文人刘世馨在《粤屑》一书中写道:“荷兰豆,本外洋种,粤中向无有也。乾隆五十年(1785),番船携其豆仁至十三行,分与土人种之……豆种自荷兰国来,故因以为名云。”其实,荷兰豆并非荷兰土产,而是原产于地中海地区。

荷兰水、荷兰牌、荷兰豆与荷兰薯我都吃过喝过玩过也乐过,20多年前也曾经在大巴窑一巷的荷兰厂工作过。当年的Philips电视是新加坡的No.1品牌,行销总监自豪地介绍Philips电视时,说Philips是新加坡第一家跨国电器生产企业,1951年设厂。虽然电视只给一年保证,但产品耐用,可用上十年,是信誉保证的老字号。相比之下,其他产品包括排行第二和第三的Panasonic和Sony都给两年保用期,但销量还是比不上根深蒂固的飞利浦。当年上司也说荷兰厂有人情味,不像美国佬Hire and Fire,所以我可以放心好好干,总有一天像其他员工一样,成为飞利浦的元老。

(Philips Factory, Lorong 1 Toa Payoh)

事实上形势比人强,这一切言犹在耳,两年间Philips电视机销售量从老大变成老三,连跌两级。面对严峻的竞争,公司必须大幅度节省成本,还在一年内实行了两轮裁员行动。

商场如战场,千变万化的竞赛策略,弹指间成王败寇,印证了宛如大国盛衰的过程,给人们留下一系列的个案研究,希望能从中吸取一些历史智慧,免得被懵懵懂懂地带入荷兰。

Friday, December 31, 2010

带你入荷兰

转眼间又一个岁末将至。遥想童年此刻,我们和邻居定好日子大扫除,九点一到,灰尘曼舞,洗刷过后,一个上午过去。接下来贴春晖,少不了心想事成、万事胜意,希望一年好过一年。

那时候每逢过年,福南街口茂华杂货店老板根据过去一年的交关,送来一打荷兰水,瓶身印着一支竖立着的红色狮子商标,俗称红狮汽水,花莎尼(F&N)生产。当年的红狮汽水厂就在River Valley Road 靠近Lower Delta Road的交界处,今天Valley Point Shopping Centre的所在地。

童年的荷兰水一瓶大概三毛钱,把空瓶子卖回给杂货店,还有五分钱回扣,非常环保。红狮荷兰水种类有橙色的橙水,红色的樱桃水,白色的苏打水和深褐色的沙示水。苏打水是母亲的最爱,我们兄弟们则最不喜欢苏打水那种辛辣的口感,橙水和沙示比较有吸引力,喝了橙水和沙示才有过年的感觉。至于红色的樱桃水最没生意,谁登门造访就开给谁喝,喝不完的荷兰水就用原来的荷兰水盖套回。开过瓶的荷兰水二氧化碳也跟着流失了,隔天喝起来,怎么也喝不出汽味。


(红狮荷兰水和报章广告)

Magnolia和发达(Fanta)是红狮荷兰水的竞争对手,此外7-UP与雪碧(Sprite)、可口可乐与百事可乐、杨协成(Yeo)与结家宝(Kickapoo)也在荷兰水市场上争得不亦乐乎,杨协成在竞争中求变,以盒装无气饮料进入大众市场,成为不倒翁。Fanta的葡萄汁颜色特别浓郁,喝过葡萄汁后舌头一伸,像足个吊颈鬼。

还以为Kickapoo已经销声匿迹多年,很意外的看见女儿从7-11便利店走出来,手上拿着一瓶柠檬水,问她是什么冬冬,她说是Kickapoo,新时代新饮料,适合现代的年轻人。问她喝过绿宝(Green Spot)吗?六堡茶听过也喝过,至于绿宝似乎是环保的未来产品。气涨!

绿宝虽然听起来青青绿绿,其实是橙色诱人的橙水,属于小瓶装。绿宝玻璃瓶的设计特别,有一粒粒凸出的小圆点。绿宝橙水还有一个特点就是专攻死人市场,殡仪馆和治丧的地方都少不了它。



(Green Spot, Upper Bukit Timah Road. c.1950s)

(绿宝橙水,公司庆祝会的饮品之一。c.1960s)

当时茂兴杂货店的经营方式属于door to door,把货单交给老板,半小时后自有伙计把日用品送上门。至于账单则在月底一次过付清。杂货店老板允许赊账,主要是考虑到街坊们都来自低下阶层,除了发薪那几天口袋有点余钱,其他日子多靠借贷过活。与人一点方便,胜造七级浮屠。1970年代中期通货膨胀,社会底层的劳动阶层薪金追不上物价,赊账不还钱的街坊日增,杂货店老板又狠不下心肠,结果烂帐越积越多,只好结束营业。

福南街口茂兴杂货店倒闭后,隔壁振南街口的普华杂货店营业额大增。普华杂货店从同行中得到借鉴,货物照旧送上门,但一手交钱一手交货,互不拖欠。钱银算得太清楚,彼此间的商业交易少了人情味。追根究底,一场通货膨胀完全淡化了杂货店与街坊的伙伴关系,新年也少了杂货店老板的顺水人情。


(当年的咖啡店有个大雪柜,顾客自己去拿荷兰水。c.1970s)

(柔佛华人历史博物馆:红狮和绿宝荷兰水。2010)

为什么把汽水称为“荷兰水”呢?荷兰水的源头出自16世纪,欧洲的地质学家发现矿泉水喝起来特别清凉解渴,研究后发现矿泉水中的二氧化碳是解渴的主要原因。1768年,英国化学家Joseph Priestley 研发出把二氧化碳直接溶解在水里的方法,达到与矿泉水同样的效果,汽水工业由此萌芽。

16世纪末,荷兰帝国主义到亚洲拓展贸易和殖民地,当时荷兰人带来一种瓶装饮料,深受人们喜爱。因为是来自荷兰人的舶来品,华人族群称之为“荷兰水”,其实就是汽水。荷兰势头大,地方遥远,深不可测,所以还有句“带你入荷兰”的俗语,说穿了就好比刘姥姥进大观园,一头雾水,被骗被耍了都不知道。

话说回来,这么多年来以茶为主,滴口不沾荷兰水,新年似乎缺乏古早味。或许是时候返老还童,通过橙水和沙示来找回失落的记忆了。

Friday, December 24, 2010

传承不灭的心灯

一灯能破千年暗,无尽心灯夜夜明。

岁末圣诞是个轻松烂漫的好时节,不管是不是基督徒天主教徒,都可以享受心情祥和的一刻。当年跟随虔诚的学友春花到乌节路长老会度过平安夜,深深被教堂中央的风琴声感动着;当年也曾经跟教补习认识的孪生姐妹卿卿和丽丽去了她们的教会,度过一个温馨的圣诞早晨。


(风琴)

也曾经和一群萍水相逢的朋友点燃各人手上的白烛,使黑漆漆的舞台亮光点点,不规则地摇晃着的烛影下是一张张对未来充满期待的笑脸。当时惠玲说了一句“random has its beauty”的禅语,虽然二十余年过去,印象依旧良深。人生无法十全十美,我们可以改变的是以愉悦的心情来接受缺陷美。只要有那颗传灯的心愿与行动,美丽长伴身边。

佛教也以传灯为象征,在由一盏心灯的荧荧烛火传递至千万盏心灯的光亮澄澈的过程中,启发人们对和平、和谐、和合的心灵感悟。


(传灯)

《佛学大辞典》 对传灯的解释:

法能破阇,故以灯譬之。传法于他,故曰传灯。大般若经四百六曰:“尊者善现,告尊者舍利子言:诸佛弟子凡有所说,一切皆承佛威神力。何以故?舍利子!如来为他宣说法要,与诸法性常不相违。诸佛弟子依所说法精勤修学,证法实性,由是为他有所宣说皆与法性不相违。故佛所言,如灯传照。”维摩经菩萨品曰:“无尽灯者,譬如一灯燃百千灯。冥者皆明,明终不尽。”智度论百曰:“所以嘱累者,为不令法灭故。汝当教化弟子,弟子复教余人,展转相教。譬如一灯,复燃余灯,其明转多。”

《佛教术语》 的解释:

To transmit the light, pass on the lamp of truth.

《现代汉语词典》 的解释:

佛教称佛法能像明灯一样照亮世界,指引迷途,因以传灯比喻传授佛法。

2009年南大的迎新活动,南大中文学会的合唱小组和副校长余明华在舞台上合唱一曲《传灯》。《传灯》由前南大校友创作,当时还是新谣的萌芽期。歌曲在新加坡流行不起来,倒是在长堤彼岸流传极广,几乎成为当地华社的“马谣”。

今年九月中秋佳节前乘火车过长堤,在柔佛新山老街转了一周,适逢马来西亚华人文化节,一个大马万种风华,走着走着,想起传灯,竟然走出一股莫名的感动。马来西亚华人文化节四月在马六甲三宝山掀开序幕,十一月在柔佛新山画上句点。在不利非土著的政治体系下,华文教育传承困难重重,独中在民间崛起,披荆斩棘,肩负着传承华人文化的使命,《传灯》贴切地反映着他们对文化精神传承的渴望。《传灯》代表着一个从忧患意识过渡到扎根定位的时代,怀抱捍卫文化传统的执著,确保灯火相传的决心。


(新山,陈旭年街,2010)

《传灯》的创作过程短促,没想到影响却深远。1982年,《南洋商报》主办第一届金狮奖颁奖典礼,当年担任该报文艺版主编的杜南发跟将在颁奖典礼上演唱多首诗乐的张泛提到想为金狮奖写主题曲,这两名前南洋大学同学在20分钟内完成了《传灯》,并在当晚表演。

当晚在场的新山宽柔中学学生把《传灯》带回马来西亚,在长堤彼岸找到知音,流传开来。每个人无论种族、宗教和背景,都肩负着对自己生命和文化的传承和责任,这是我们赋予生命的意义。母族文化的河流,不论流向何方,流过如何漫长的黑夜,靠得就是一盏灯,承担点燃一脉香火的使命,让生命和血缘继续传承,甚至燃烧自己,照亮人心,温暖社会。感动!


http://www.dfg.cn/gb/yspd/yyting/7--yyting-chand.htm
http://blog.yam.com/tzetze/article/3729941

《传灯》 杜南发词 张泛曲

每一条河是一则神话
从遥远的青山流向大海
每一盏灯是一脉香火
把漫长的黑夜渐渐点亮


为了大地和草原,太阳和月亮
为了生命和血缘,生命和血缘


每一条河是一则神话
每一盏灯是一脉香火
每一条河都要留下去
每一盏灯都要燃烧自己

Friday, December 17, 2010

从1949延伸......(二十二)泰麟之同乡人

小时候喜欢看舞狮,长大后喜欢看舞狮,到现在年龄一把,还是喜欢看舞狮。采青是舞狮表演的高潮,集舞狮技巧、胆识与武术于一身,是传统舞狮最考究的环节。


(鹤山狮在牛车水为商家新年采青,好运连年。c.1970s)

小时候,清明与重阳,简称春秋二祭,泰麟带着我,随着鹤山会馆前往碧山亭拜祖墓。会馆车队浩浩荡荡,从尼路(Neil Road)的旧会址出发,一路敲锣打鼓,狮团为因鹤山二字而在异国结下地缘的同乡们舞动着乡情,也舞动着对未来的期望。

http://navalants.blogspot.com/2010/04/1949.html



(春秋二祭,c.1960s)

还是小时候。会庆在民间筹建,一元一砖的国家剧场举行,舞狮表演是晚会的高潮,醒狮团根据民间故事,创作出“狮子滚球、喜神戏雄狮、双狮戏绣球、登山遇青、双狮会、樵夫遇难、少侠战双狮”等剧目,时而威猛时而逗趣的醒狮、绣球戏狮身手敏捷的少侠、手摇葵扇死里逃生的大头佛,打造出娱乐性、观赏性、表演性强的醒狮秀。


(早年的舞狮表演,c.1960s)

(牛车水中秋园游会,2010)

说起鹤山狮,数十年来泰麟都不忘提起冯庚长。“南国狮艺,起源于佛山,发祥于鹤山”,醒狮艺术按地域和流派分为“南狮”和“北狮”,北狮流行于长江以北,而南狮主要有“佛山狮”和“鹤山狮”两个流派。鹤山狮艺创立了一百多年,在各大门派的醒狮艺术中具有崇高的地位和声望,冯庚长身为鹤山狮的开山元老,传承兼创新,获得“广东狮王”的美誉。

(佛山狮的狮头较高挑)

(鹤山狮的狮头较扁平)

冯庚长(1852-1897)出生于鹤山市沙坪镇越塘大朗村。冯庚长在少林俗家弟子出身的父亲的教导下,自幼练武和研习狮艺。成年后,追随冯了性(冯了性药酒的创办人)在佛山研习武术及传统南狮狮艺,学成后回家乡开武馆。为了丰富醒狮艺术的内涵,冯庚长与师弟胡沛在武馆专门养猫,从猫儿戏鼠的过程中悟出狮型猫步,把猫的动作与狮的性格融合起来,创立了“捕鼠、玩耍、捕鸟、高窜、低伏、跳跃、翻滚”狮步八法,“喜、怒、惊、乐、疑、醉、睡、醒” 狮艺八情,再结合节奏强烈雄壮的“七星鼓”,开创出独当一面的鹤山狮。

冯庚长为发扬醒狮艺术,一方面在鹤山本土传承,另一方面由鹤山人带到新加坡传承,使传统醒狮艺术得到了升华,而冯庚长也被誉为一代宗师。

既然有广东鹤山狮王冯庚长,当然少不了新加坡鹤山鼓王梁肇富。从事钟表业的梁肇富精心学习七星鼓法后推陈出新,自创连环十八路鼓法,1950年代春秋二祭和舞狮表演时,梁肇富必定使出他的拿手绝技,手到脚到声音到,连击三鼓,震撼全场,获得行家一致尊称鹤山狮为“狮王之王”。梁肇富也创办了养正学校童军醒狮团和鹤桥体育会,积极推动鹤山狮艺。

(鹤山鼓王梁肇富,c.1950s)

我问泰麟在正常情况下,都是先有社团后有属下组织,为何鹤山却先有狮团,过后才成立会馆?

泰麟谈起狮团与会馆的成立过程,还是离不开冯庚长的一段历史渊源。1920年,冯庚长传人鹤山乡里李怡生远渡重洋,在新加坡组织了“怡怡堂瑞狮团”,并亲自任教。冯庚长的狮艺,就这样通过李怡生传到新加坡。每逢春秋二祭,怡怡堂都派狮队到“广惠肇碧山亭居新三属粤人总坟”祭祀先人,每逢喜庆也舞狮祝贺。怡怡堂瑞狮团是新加坡第一头醒狮,特别引人注目。

(鹤山会馆国术醒狮团的起源)

1939年,鹤山同乡会成立,“怡怡堂瑞狮团”易名“鹤山同乡会国术醒狮团”。1952年鹤山同乡会改名鹤山会馆,“鹤山同乡会国术醒狮团”也顺理成章,改名为“鹤山会馆国术醒狮团”。鹤山狮艺把同乡人组织起来,互相关照之余,也给大家带来共同的正当娱乐。狮团逐日壮大,把地缘性的同胞团结起来,成为相当规模的同乡会,从小我到大我,其实更符合自然发展的规律。

(1945年日军投降,鹤山同乡会国术醒狮团参与光复游行。c.1945)

(欢迎当年的丹戎百葛议员李光耀先生。c.1950s)

(鹤山会馆国术醒狮团,c.1960s)

(鹤山会馆国术醒狮团,2010)

终于更能体会为何泰麟和一群老乡里对鹤山会馆之情细水流长,连绵不断。除了早年同乡们异地惜缘,患难与共所缔结下来的情意结外,他们还见证了一个民间社团几乎从零到有的成长历程。他们都为这个社团贡献过最可贵的青春年华,他们都曾经协助后来的同乡人融入本地,落地生根。

http://navalants.blogspot.com/2010/06/1949_30.html

他们缔造了一段成功的移民史。

参考资料:
鹤山会馆年刊